Welcome

Welcome to the Website of Nigel Potts

Nigel Potts has become renowned worldwide as “a consummate musician who knows how to communicate the essence of [the] music” (The American Organist), and whose “playing is assured and stylish” (Organists' Review, UK). He has built a reputation for his expressive, colorful and tasteful performances, always communicating and placing the music at the forefront with “…warm, sympathetic playing” (Choir & Organ, UK).

Critics are consistent in their remarks about his unique “sense of expression which never cloys” (The Sydney Organ Journal, Australia); broad command of tonal color” (The New Mexican, USA); “gift for extracting melody, highlighting the phrase and his exactitude in exploiting the vast palette of the tonal colour” (Organ News, New Zealand); and the way in which he uses the organs “extensive resources with imagination and taste”. (The Journal of the Association of Anglican Musicians, USA).

In North America, Nigel is represented by Phillip Truckenbrod Concert Artists. Please browse this site to discover more about his performances, recordings, transcriptions and other aspects of his career...

Latest News

Nigel appears as Guest Organist for The Wanamaker Organ Hour
Last October, Nigel appeared as the Guest Organist on Philadelphia's WRTI-FM radio station playing the Wanamaker Grand Court Organ. The hour long program of transcriptions included music by: Walton, Bach, Purcell, Rachmaninoff, Elgar, Delius, Whitlock and his latest transcription of Liebestraume by Liszt.

Workshop Presenter at AGO National Convention
Nigel will present a workshop entitled Fantasies & Fanfares - British Organ Music of the 19th & 20th Centuries at the American Guild of Organists National Convention in Washington DC on Tuesday, July 6th 2010 at 1:00pm

CD: British Fantasies & Fanfares is released and is available for sale
"Nigel Potts is a consummate musician who knows how to communicate the essence of this music. Instrument, music, and performer combine to create musical magnificence not to be missed." The American Organist, December 2009
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